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Dramaturg, conceptual thinker and projectmanager with focus on interdisciplinary sound and movement art. Melting form and content together, identifying the question a material brings up and the narration that is hidden behind loose attemps, challenging the why and sensitising for the unseen and unintended - that might be a wide description of her working field between statetheatre and independent szene that let her bring together the ideas, approaches and chances of diverse fields like music-theatre, contemporary dance, soundart, theatre for the youth and literature.

2019

Independent dramaturg and head of „Hart am Wind“ theatre festival for the youth by ASSITEJ, Staatstheater Braunschweig and LOT Theater

2017 -  2019

Dramaturg for music and dance theatre at JUNGES! Staatstheater Braunschweig

2016

MA in dramaturgy, Ludwig-Maximilians Universität München / August Everding Theaterakademie, masterthesis: „Dramaturgie von Energie. Phänomenologische Ansätze der Dramaturgie in Body Weather“

2015

Semester abroad, University of Sidney, Department of Performance Studies

2013

BA in theatre studies / language, literatur, culture, Ludwig- Maximilians Universität München, bachelorthesis: „‚Zielgruppe- Pollesch‘ Ein empirischer Beitrag zur kultursoziologischen

Publikumsforschung“

2019

UNSTABLE, dance-theatre by Anna Konjetzky, dramaturgy (Staatstheater Braunschweig)

2018

Birdcage, artinstallation by circat sound, concept and creation (Anomalie Art Club, Berlin)

2018

EGO, dance project with youth by Mejeh Black, project management (Staatstheater Braunschweig)

2018

The Sound of Museum, floating concert in the Herzog Anton Ulrich Museum together with state orchestra Braunschweig, dramaturgy, text & project management (Staatstheater Braunschweig)

2018

Gold! music-theatre for children by Leonard Evers, direction: Katharina Schmidt, dramaturgy (Staatstheater Braunschweig)

2018

Angsthase Pfeffernase, dance-theatre for children by Teresa Rotemberg, dramaturgy (Staatstheater Braunschweig)

2017

B-Boys Don’t Cry, dance-theatre for youth by Besim Hoti, dramaturgy (Staatstheater Braunschweig)

2017

How to Kill Your Mother. Projekt Elektra, opera by Jacopo Salvatori & Tom Smith, direction: Till Kleine-Möller, dramaturgy (Staatstheater Braunschweig, UA)

2016

Der Teufel auf Erden Operette after Franz von Suppé by Jacopo Salvatori & Tom Smith, direction: Till Kleine-Möller (Theaterakademie August Everding, DEA)

2015

OFFelia. Fragmentarisches Musiktheater, after Shakespeare, direction: Till Kleine- Möller (Theaterakademie August Everding)

2015

Psõmion Agamemnon. Vom Tun, Leiden und Lernen, direction: Till Kleine-Möller (Theaterakademie August Everding)

2014

Artefakt, media- and shaddow-theatre with the collective fake[to]pretend, dramaturgy (Rationaltheater München)

2016

Hot Pepper, Airconditioner and the Farewell Speech Regie: Toshiki Okana (Münchner Kammerspiele)

2015

Liveworks Festival of Experimental Art (Sydney)

2015

Sydney Fringe Festival (Sydney)

2014

SPIELART Festival (München)

2012

Bayerischer Rundfunk, radio play and media art (München)

Circat Sound I Kinzigstrasse 35 I 10247 Berlin I Germany - Office : 030 - 40759844 I Mobile : 0157 - 37091581 I office@circat-sound.de