Dramaturg and projectmanager with focus on interdisciplinary sound and movement art. Melting form and content together, identifying the question a material brings up and the narration that is hidden behind loose attempts, challenging the why and sensitising for the unseen and unintended - that might be a wide description of her working field between statetheatre and independent scene.
2020
Head of production for "Augenblick mal!" 2021, theatre festival for the youth by Kinder- und Jugendtheaterzentrum in der Bundesrepublik Deutschland and ASSITEJ, Berlin
2019 - 2020
Independent dramaturg and head of production for „Hart am Wind“ theatre festival for the youth by ASSITEJ, Staatstheater Braunschweig and LOT Theater Braunschweig
2017 - 2019
Dramaturg for music and dance theatre at JUNGES! Staatstheater Braunschweig
2016
MA in dramaturgy, Ludwig-Maximilians Universität München / August Everding Theaterakademie, masterthesis: „Dramaturgie von Energie. Phänomenologische Ansätze der Dramaturgie in Body Weather“
2015
Semester abroad, University of Sidney, Department of Performance Studies
2013
BA in theatre studies / language, literatur, culture, Ludwig- Maximilians Universität München, bachelorthesis: „‚Zielgruppe- Pollesch‘ Ein empirischer Beitrag zur kultursoziologischen
Publikumsforschung“
2019
Birdcage, sound installation by circat sound, concept and creation (Noise Lab Festival, Teufelsberg, Berlin)
2019
UNSTABLE, dance-theatre by Anna Konjetzky, dramaturgy (Staatstheater Braunschweig)
2018
Birdcage, sound installation by circat sound, concept and creation (Anomalie Art Club, Berlin)
2018
EGO, dance project with youth by Mejeh Black, project management (Staatstheater Braunschweig)
2018
The Sound of Museum, floating concert in the Herzog Anton Ulrich Museum together with state orchestra Braunschweig, dramaturgy, text & project management (Staatstheater Braunschweig)
2018
Gold! music-theatre for children by Leonard Evers, direction: Katharina Schmidt, dramaturgy (Staatstheater Braunschweig)
2018
Angsthase Pfeffernase, dance-theatre for children by Teresa Rotemberg, dramaturgy (Staatstheater Braunschweig)
2017
B-Boys Don’t Cry, dance-theatre for youth by Besim Hoti, dramaturgy (Staatstheater Braunschweig)
2017
How to Kill Your Mother. Projekt Elektra, opera by Jacopo Salvatori & Tom Smith, direction: Till Kleine-Möller, dramaturgy (Staatstheater Braunschweig, UA)
2016
Der Teufel auf Erden Operette after Franz von Suppé by Jacopo Salvatori & Tom Smith, direction: Till Kleine-Möller (Theaterakademie August Everding, DEA)
2015
OFFelia. Fragmentarisches Musiktheater, after Shakespeare, direction: Till Kleine- Möller (Theaterakademie August Everding)
2015
Psõmion Agamemnon. Vom Tun, Leiden und Lernen, direction: Till Kleine-Möller (Theaterakademie August Everding)
2014
Artefakt, media- and shaddow-theatre with the collective fake[to]pretend, dramaturgy (Rationaltheater München)
2016
Hot Pepper, Airconditioner and the Farewell Speech Regie: Toshiki Okana (Münchner Kammerspiele)
2015
Liveworks Festival of Experimental Art (Sydney)
2015
Sydney Fringe Festival (Sydney)
2014
SPIELART Festival (München)
2012
Bayerischer Rundfunk, radio play and media art (München)